Feeds:
Posts
Comments

Posts Tagged ‘Film’

Sin City Dancers is composited in the style of the movie Sin City. This 2005 feature film ushered in a period of cinematic style consisting of sleekly rendered characters with stark silhouettes, shadows, colored in black and white accented with a minimalist color scheme. This compositing technique represent one approach to creating this cinematic style.

Read Full Post »

I Love Sarah Jane – A Trailer

This 30 second demo trailer is the result of an ongoing research project centered on capturing and juxtaposing cinematic moments.  While everybody has their own perspective of what should and shouldn’t go into a micro short designed to motivate consumer viewing (ultimately buying), most agree it should at least capture one’s imagination.  I Love Sarah Jane – A Trailer captures the complex relationships and tensions that emerge in this unique zombie movie.  The movie itself has just played at the Sundance Film Festival along with Spider and David Michôd’s Crossbow, and will next play at the Clermont-Ferrand Film Festival.

Read Full Post »

I updated the original methodology used to despill the Subway Woman scene. After evaluating for spill using a slice tool, I realized that there was too much green artifacts remaining. I replace the built-in despilling process used by Primatte with the Unspill Algorithm defined by Steve Wright. Check out the results…

Read Full Post »

Sometimes it is not enough to just compose the imagery of a scene. In many cases, a simple song is begging to be juxtaposed against the backdrop of what otherwise are animated and silent still images. When I heard “All Colours” by Bob Holroyd, I immediately saw this was the case with this composition piece. Check it out…

Read Full Post »

Digital compositing is a great expressive process for integrating multiple elements, often independent and from different sources, to form a seamless integrated scene. Marco Paolini said, “At the end of the day, it is not what you did, but how it looks.” Well, he is half right. Looks are 90% of the shot, but the other 90% is the how. Without reproducible techniques and systematic workflows, composition becomes a matter of luck and happenstance.  Magic Dust Writer, based on the creative talent of cmiVFS and Steve Wright, is an example of a greenscreen key workflow process that produces great visual results, time and again. Check it out…

Read Full Post »

Follow

Get every new post delivered to your Inbox.